Brian Rose has used the latest technology to reconstruct lost material and animate charcoal sketches that prompt the viewer’s imagination into visualising what Welles once saw: “The few who saw his original version believed it was the greatest film they had ever seen.” He built the entire physical set, working out camera angles from surviving “road map” evidence, including various screenplay versions and storyboards. — The Guardian
Country:
United States
Year:
2024
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