In the film, images from archives of photographic documentation of encounters between politicians and activists in India with their counterparts in Japan, Mao’s China, and other Asian countries from the mid 1950s to the early ’60s are overlaid with transcribed dialogue from Jean Luc Godard’ s 1967 film La Chinoise, creating a conversation between historical archives, photography, cinema, and art.
Comments are not available to you at this time.
